Celluloid myths busted

Hollywood's biggest blockbusters have been - believe it or not - costume dramas. The Lord of the Rings Trilogy, Harry Potter series...there is something about Hollywood and their mega-budgets that makes their glorious past so watchable on celluloid. Everytime.

Just a few moments ago, I got over with perhaps one of my most educative and entertaining movie watching experiences of all time. No, it wasn't Yash Chopra (he's too senti-types), nor was it Karan Johar (Gimme a break!) nor was it some sci-fi action thriller that kept me on the edge of my seat. It was Hanuman.

The recent Bollywood animation flick broke all records at the box-office and when it did so, it left me wondering why. And how, could a nation that has always boasted of tacky SFX and poor records in home-made animation films boast of such an achievement? Today, all my doubts were cleared. I am sure that not only did the film keep kids hooked to their seats, it also must have given a welcome break for family audiences from A-rated Hashmi flicks.

We all know it - children don't watch the films as we do. You need something to grip them into their seats in the form of arresting visuals, groovy music and enrapturing storylines. All with a coating of humour. Hanuman does all of that. And more.

The current generation that is growing up is not being nurtured in homes where Ramayana and Hanuman are the first things that they'd get to watch on Sunday mornings. They need to be informed of the glorious mythology that India boasts of, the great epics armed with elements that would give any run-of-the-mill Bollywood saga a run for its money. Last but not the least, the greatness of each of these epics lies in their underlying ability to teach us morals, which are unfortunately being milked away to doom in this materialistic world.

I, myself am one of those unlucky ones, who's missed out on it. I've been hooked to storybooks right from my child-hood and watching a saga on TV wasn't something I've done ever. The result is that, today, I'm one of the most ill-informed people about Ramayana and Mahabharata. You should have seen me hide my face, when the Big-B would ask questions relating to these two epics on KBC and everyone in my family would create expressions saying, "Hey..that's such a simple question!"

Imagine how these stories would look on celluloid. Think Troy, LOTR and think Mahabharata. Visualise the great battle sequences...the multiplying arrows...,dragons, snakes, the monkey army of Ramayana, Hanuman's antics...the eye-popping SFX that would make films on these epics such a visual treat! It would be create path-breaking opportunities for artists from all over the world to come together and make such a celluloid project possible. We need not dwell on Ramanand Sagar technology anymore. The latest technology is available and more importantly the investments can be procured.

But caution must be alerted from a few past examples of such costume dramas, since they've not always tasted success. Although investments and production values can be hiked up, it remains uncertain whether returns will be equally fulfilling. Asoka by Santosh Sivan was an affluent product with steep production values, but it bombed miserably. Its a different issue that the movie didn't have an engaging story to tell either.

However the point that I'm trying to put across is that, there is a generation which lies unaware and uninformed of the glory of our epics. And neither would they be inclined to watch a marathon run of their old episodes on Doordarshan. However, these epics could be fodder for great trilogies and war-films. Say, if LOTR, King Arthur, Braveheart, Troy can attract packed houses, in India, thanks to brilliant starcasts, fine direction and eye-popping SFX, I don't see any reason why our epics wouldn't work either. But lets not convert them into animation again, like Hanuman. Pigeon-holing them into animation creates a huge block in inflow of a large section of audiences.

People say today's films have weak scripts and poor storylines. Critics say, that most of our films today do not put across any worthwhile message. (How can they? We rush towards the Exit doors at the Intermission itself!!) Lets look back into history. There are two epic scripts with flawless narration, that are educative, informative, thought-provoking (I could go on...) - all stories waiting to be told. Once again.

Cheers!
Arcopol

A generation awakens...only to find another generation asleep.

The Indian media must be taking pride from the fact, that their exetensive coverage and campaign for justice in the Jessica Lal case worked as a catalyst for a thorough investigation, once again.

SMS polls...'Is this the travesty of Justice?'...'Is this the death of Indian constitution?'...the so-called public outburst burst at the seams, only to land up into TV news channels and newspapers. But in the midst of all this, how are we to be certain of the magnanimity of this outcry? Did the entire nation surely and whole-heartedly question the existing judiciary? Or was it just the cosmospolitan cities which participated in these polls through mobile phone armed-working classes?

Yes, youngsters were definitely up-in-arms. Black days in colleges, student unions taking morchas towards India Gate, assumptions that it was the 'Rang De Basanti' effect and several others taking pride to appear in front of television cameras with a candle - we've seen it all.

All of the above samples comprise quite a considerable part of India's population, but then, what about the rest? A generation was found sleeping, not bothered or perhaps even not informed of the existing fury of the class outrage in cities. Perhaps they didn't want to spend that precious rupee in sending a crucial SMS to television channels? Hell, what do they care? Let me illustrate this point more clearly.

At the third screening of Rang De Basanti at a B-grade single screen cinema hall in the suburbs, I was witness to this great economic divide which is perhaps the drawing line of fury on the Jessica Lal case too. Its a populist cinema hall, (India has thousands like these) the stalls are usually packed with whistle-blowers who'll feast their eyes on your sister's beauty, gaze at your pop-corn wistfully and cry hoarse into their cell-phones non-chalantly, while the movie is on.

While RDB provoked rebellious sentiments from the multiplex audiences and also saw a sudden spurt in tissue paper sales after its release, it was clear that the film had touched many hearts and most importantly provoked them into action. But stall audiences found sadistic pleasure in watching Sharman Joshi die, mocked at scenes where Soha Ali Khan breaks down over Madhavan's death and yes, giggled to see Aamir crying in the company of the 'gori'. Yes, they did genuinely enjoy 'Maa ki aankh' and 'Bhain di takke', but considering the fact, that most of the stall audiences staged a disappointed walk-out at martyrdom of the film's leading boys, this definitely illustrates simplistic mind-sets.

This indeed is the very section of India's population, a very large section in fact, which doesnt seem bothered by national issues. Yes, they'll be up in arms over religious and political issues, but take note - these are 'issues'. And issues generally are senseless discussions and outrages over selfish matters. But when it comes to crusading for something through mass agitations, for something which is oh-so-genuinely wrong from each and every perspective - they're not bothered.

This is the very section of our population which only cares about 4 things - food, clothing, shelter and yes, sex. Lots of it. Most of them may be voyeurs, but there's a reason why films like 'Mujhe Pyaar Karo' and 'Chinese Kama Sutra'still run to packed houses on Fridays.

To believe that the Jessica Lal case spurred a national outrage would be an over-rated statement. It was in-fact limited only through cosmopolitan cities, the news-hungry titillating media, politicians, educational institutions and the middle-classes. All of them armed with mobile-phones.

Aiming for the Worst!

Advertising and marketing professionals take note - selling a product inside trains can make for an interesting case study.

Consider this - every product that is introduced in the market tries to position itself as something unique, having a certain set of USPs which no other product in the same range can offer. In other words, every (or most) product or service is trying to position and market itself as the best a consumer can get.

But what if they tried to promote themselves in an antagonistic way? What if, out of the blue, some company came up with the idea to market itself as the "worst" a consumer can get? Then we wouldn't be surprised if hoardings were plastered over the city - "Blah Blah Oil - The Worst your Car can get", "BPL - Believe in the Worst"...

Positive and negative numbers all exist on the number line. For everything positive, there is an equal and opposite negative. For every Neo, there's a Smith. All are equally strong, although directed in opposite directions.

It would be interesting though, to imagine, how consumers would respond with propositions for the "Worst" products. Common sense tells that, provided the product or service exists within the disposable incomes of the person, he wouldn't mind trying it. Let me quote an example.

On board the Gitanjali Express to Kolkata, I was taken by surprise, when amidst cries of Badhiya Chai....Coffeee...there emerged a lonesome cry - "Kharaab se kharaab chai!" Initially my fellow passengers and myself exchanged casual smiles as the tea-vendor casually passed by hoping we'd order tea from him. After some moments of reluctance, one of us called him and inquired about his tea which was ready to take on the best in the business - from behind. "Ab kya karen saab, bechne ke liye, bolna padta hai! Aap peekar to dekho dada, chai buri nahin hai..."

Nevertheless, we all ordered tea atleast once through him, in the entire journey. There was not much difference in quality of the tea, but he definitely won us over, as first timers, in his selling strategies and positioning. Even though innovative strategies have been observed which go reverse (Surf Excel - Daag achche hain), it'll be interesting to see how "Rush for the Worst" strategies work in India. Maybe after the initial hoopla and mayhem and cacophony, the interest may die down. But then, it'll be a terrific way to hook-up potential customers and make them sample the product atleast. But note, only within their disposable incomes. And this is just my personal point of view. Its quite out of the box - since its never been used in the box (read TV).

We bought tea because it made our wallet lighter by a mere few coins. A television set or mobile phone damages our wallets much more severely.
- Third Eye

Wide angle lens

Professor Shashi Nair surely had a point to make when he informed us that the human eye is perhaps the most versatile lens ever created. The flamboyance with which it adjusts and adapts to situations and settings is truly remarkable. My convictions on his statement received extensive support at the recently concluded written examination on Principles of Photography.

The cacophony before the test begins is inevitable. Last minute glances into bundles of xeroxes, nervous finger-biting, scaling margins, harried supervisors desperately requesting us to "Drop you bags..drop your bags!" and of course, the most motivating - good wishes and good lucks from fellow homies. The stage is finally set and examination is about to begin...

Little have we proceeded into the written test and this very versatile lens that I was talking about, is seen functioning in full flow. I've seen it myself, used it to the core with all the adjustments on my very own lens, but somehow the perfect image never registered on the recording medium (my cornea). Inevitably, every time this lens tries to focus, zoom in-zoom out, the incongruous invigilator obstructs or rather, dustracts my view. While I tried to focus again and zoom into the right places (heheh...), here's what my fellow homies were upto...

To my right was fellow-mate Gautam, busy trying to wipe his lenses and adjusting the extra-apparel that came along with it (read: his long locks). Focussing was getting difficult for him today. Why not? Extra-exposure all night and exhaustion can definitely take its toll on them. Rohit Gulati, another pony-tuned punjab da puttar was trying to use the versatility of his lens to the hilt. His wide-angle was trying to grab all he could from Gautam's sheets, but surprisingly for him Gautam's sheets were whiter than usual. I guess, the film got over-exposed on Gautam's part. Makhija on the other hand, was chewing on his tripod. (Whatever that means!)

Meanwhile, Ashwini, was desperately trying to focus. She had zoomed in perfectly alright, but her tripod was shaky and wobbly as usual. Her lenses unfortunately showed terrific affection for the developing medium and tried to make contact with it and when it did, a strange snoring sound emanated out of the entire process....

Gaikwad, today was clicking away to glory. Images captured from all direction - his strategic positioning, coupled with excellent incident metering, he was able to record useful images from various sources around him in the form of Ankita, Vasudha and Anushka. Hope he didn't make any malicious use of his surprisingly spot-on precision in focusing. I'd have appreciated a lesser zoom. Well, who cares? I'd better started taking prints soon or else, I'd have nothing to zoom into.

Its feels strange indeed when I looked at the examination hall in this perspective. It may appear funny to realise that I was actually going through such thoughts, when instead I should have been coolly taking photographs ....err....taking my own prints out of my memories. But there's a beautiful and meaningful thought-process that emerges when I look at the flip-side of it.

We are after all, the recording media, (media students) with in-built lenses. Sometimes, we do try shift, adjust and strain them a bit, but its essential that we take good care of these lenses and show an effecient and true picture of what we see. The human body is like an entire photography apparatus itself. Its only our prints though, which reflect of how we see the world around us. And the acknowledgment of those prints, reflects a lot of what the world thinks of us.

We as, media students, definitely know how our reflections (or prints, rather ;) ) are going to make a world of a difference!
Cheers!
Arcopol

Blood on Holy banks

The bomb blasts at Varanasi surely have sent ripples through the nation. While the media has been keeping the us informed about the latest developments, by the minute, it is inevitable (We're India after all) that politicians are extracting political mileage out of the entire incident.


Interestingly, when I recollect similar blasts last year just prior to Diwali, there was a feeling of resilience that the average Delhi-ite showed to the entire incident. Even here in Varanasi, similar sentiments have been witnessed and the city has resumed its services.

However, one question puzzles me - Have the attacks questioned the the very secular fabric of the Indian society? The Delhi attacks were at a market-place and this one at a the Sankat Mochan Temple. Note the difference in the secular setting of the two blasts. One is a temple and the other is a busy bazaar. Hence, the general perception is that Islamic terrorists have battled it out in Varanasi to prove their point.

What point do they prove, I wonder, by such flutters in the daily life of the largest democracies in the World? Of course, they do claim lives - we cannot deny that. But is their larger purpose served - a purpose behind which lies the veil of Jehaad and its idiosycracies. Hilal Kohistani, Jackie's Shroff's character was perhaps right when he quoted in Mission Kashmir - Time, money and Jehaad wait for none.

What is required at such times of national alarm is a definite sense of composure and resilience to set back things into normalcy. It is with incredulous alacrity that politicians are flaring up communal passions by going on the record only to declare 'what they feel' of this incident.
L.K.Advani is infact has been using this opportunity to canvass and initiate a nationwide yatra along with protege Rajnath Singh! Somebody tell the old man, that good old times came to an end when he expressed his 'affection' for Jinnah. The Hindutva loyalist is only trying to scratch the surface harder within his party's echelon's of power.

Thankfully, we've been witness to an alert media in the last few days of these blasts. That's something that has been characteristic of the Indian Television scenario ever since the time competition ushered in, in the form news-channels. Competition should enforce accountability into reportage and thankfully, that has happened, although in bits and pieces.

The Solution Seeker

There's a crazy energy all around the media. An energy which never dies down - its a world which is constantly upbeat and abreast with the latest happenings. And here's the worst part - there's always someone or the other who's going to get the piece of cake (read NEWS) before you do.

Dedicating an entire blog to the media wouldn't just be enough, I'd need to more than that. After all, being a part of this field, I do realise that this indefatigable enthusiam is at times like a trance, as things just seem to roll by - passing through like a montage of images.

Here's the debut of perhaps not just another blog in blogosphere but also a movement which will help bring bright minds under a common discussion forum, posting feasible solutions. The hunger for this blog comes from the fact, that the media is generally perceived to be a medium which observes and relays messages appropriately. Let us for once, try to put forward thoughts with a solution in perspective too.

Cheers and regards!
Arcopol.